alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
What a lovely weekend.  Friday was panicked sewing and dancing and the less said about that really the better.  But Saturday was the Animal Rescue League of Boston/Gorey House Foundation Moonlight Ball.  M and I and several other lovelies wore Gorey-inspired Victorian-esque outfits made by Kambriel and provided atmosphere, and occasional helpfulness where needed.  Anyone who has ever been to the Cyclorama on Tremont Street would not have believed how beautiful it looked.  The walls were lined with tall white panels on which Gorey window frames were projected.  The entrance featured a glowing fountain, curving benches and a giant scrim sort of deal with a Gorey type facade on it.  Gorey artwork was everywhere.  Chandeliers hung from the ironworks that blanket the ceiling; each table featured a candelabra and a centerpiece of roses, mushrooms and hunks of fake ice, which looked far nicer than it sounds.  Comfy armchairs and sofas (curious sofas, perhaps?) abounded.  We were able to eat once everybody was seated and the drinks were flowing.  Usually I am very out of my element when surrounded by rich people, very conscious of being a coal miner's granddaughter, but in my gown I felt like a fabulous alien creature or time traveler.  The fundraiser looked hugely successful, especially since I believe the catering and bar were donated.  There were several dogs present; if you thought the human tickets were expensive at $175, the canine tickets were $5,000 per dog!  But if you are the sort of person who would be making that kind of donation to charity anyway, this would be a very fun way to do it.  There were several moving speeches and stories about dogs and cats, and a lovely movie about the work of the ARL which included a fine sable ferret, prompting cheers from our table.  Since I am not the sort of person who can give that kind of donation to a charity no matter how much I wish I could, it felt very good to be part of the event in some small way.  My spirits still feel lifted today thinking about it.  Thanks very much to Kambriel for giving me that opportunity!

Then Sunday, finally came the Bela Lugosi Birthday Bash.  I've been thinking about that show for so long, it felt odd to have it actually happening.  I have to admit I was feeling a bit odd about doing full on gothic in the Athenian Corner, but as the readings that made up the first half of the show went on, I relaxed.  Some of the readers/writers were quite entertaining and I particularly liked one poem that was a post-mortem entry in Lucy Westenra's diary.  Then it was time to perform!  I arrived on stage and went into my opening pose of an inanimate dolly and waited... and waited... and waited... for my music to start.  I finally had to break my pose before I fell over.  This was just the beginning of sound problems that plagued the show all evening due to a very non-cooperative boombox (one poor woman couldn't dance at all since the boombox simply would not read her CD).  Finally my music played.  I felt like it went all right for the first time performing it.  I had a lot of fun stealing people's souls and stomping on them with my noisy anklet stomps.  I actually use a bunch of khaleegi steps because I can get such a great noise from the anklets with them.  I wonder if there is anybody else in the entire world who has done khaleegi to Siouxsie and the Banshees.  We should start a very exclusive club.  Anyway, it went well enough, and the audience was very receptive to what I was doing.  Some of the writers, not surprisingly, went to ManRay when they were younger, pretty much Siouxsie and the Banshees generation themselves, so they knew exactly where I was coming from and enjoyed it with their own sense of nostalgia.  I closed the show with Voltaire's The Vampire Club, fine except for small costume malfunction of a couple of horse hair tassels jumping ship.  I guess I did not test the belt to any energetic music.  But it's nothing that a little glue applied to some knots won't fix.  I was pretty well paid considering the type of gig it was, so all in all it was a good evening for me.  If Saturday night was all about a group coming together to raise money for a wonderful cause, Sunday night was all about a group exploring their common areas of creativity and making events happen, even when money is tight and the technology won't cooperate.

So I had much fun all weekend dressing up and wearing loads of dramatic makeup.  I don't really miss the days of applying black makeup with a trowel on a daily basis, but it was decidedly fun to live it again for a weekend.  Being older, I have better quality makeup now so I'm sure it looked much nicer now than it did back then ;-)
alonewiththemoon: Drumlin Farm Banding Station 2016 (shinymaia)
Such a great time at the Middle East last night--super audience plus music I love equals loads of fun for me!  Had a great time staying out dancing the night away, people were full of compliments which definitely added to my evening's euphoria.  I even got home to find a email from another dancer in the audience saying how much she enjoyed my set, and an invitation to dance in someone's upcoming hafli, so I'm quite full of myself at the moment ;-)  The only two drawbacks to the evening were that one, the music was so loud that there was some distortion going on, and two, I apparently really did not guard my expression when watching another dancer do some very questionable things on a table during her drum solo.  Oops!  Hopefully she was too busy to notice.

Today I am spending very unglamourously cleaning the house, but it has to be done.  I will crank the music and have a beer when I am done.  Ceremony is a possibility later.

Oh, kinadancer--here's the Saad donkey video with Dina.  The song is Bahebak ya Hmar, which means I Love You Donkey.  It is teh awesome.
alonewiththemoon: Drumlin Farm Banding Station 2016 (Default)
Another nice fun show at the Middle East last night.  This is very good to have right before the pageant.  Drum solo was somewhat random but I don't think sucked.  Note to self:  no hair tosses if there is a flower in your hair, tangleage ensues.  Audience was lots of fun.  I'm dancing the Sunday of Labor Day weekend and I'm looking forward to staying out and dancing all night after I perform :-)

Picked up Wash Ya Wash 6 from emusic and I have to say I am disappointed so far.  I am hearing a lot of remixing of previously recorded songs into new ones, in ways that don't always work.  There's a song that's almost the same note for note as a Gizira Band song, I think it's just a slightly remixed version of the Gizira Band recording (I've danced to it so I know it pretty well).  Composer Mohammed Ali throws awful synthesizer lines into perfectly nice folkloric songs on an unfortunately predictable basis.  All his compositions sound the same to me anyway, even after working with a couple of them intensively.  A couple of songs are alright, Cocktail Oriental and the balady improvisation.  Drum solo is fine too, but the world does not need more six minute drum solos.  It needs more really excellent three minute drum solos, in my opinion.
alonewiththemoon: Drumlin Farm Banding Station 2016 (shinymaia)
I just sent in a deposit for the Dina workshop in Montreal in November!  I feel faint with excitement!!!

Zar good.  Head still kind of spinny.  Talked to somebody who had attended a zar in his home village--he liked what I did, said Ih ad the right feel.  The whole benefit was very strong and powerful.  I'm grateful that I have a skill that I can lend to help out a cause like Jane Doe, especially after some bad news received recently about a friend.

*crash*
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
So much fun dancing with Walter Sickert and the Army of Broken Toys last night--dancing to live music is the best, whatever the genre.  Tituba, the song I danced to, is just so evocative.  Not sure entirely what it's about but I've got my own images to draw from when I dance to it.  Walter liked what I did so I can't be too far off.  The zills worked out really well and I felt confident with them.  I think they would actually be too loud for the Middle East but they are great for rock shows and would be good for outdoor gigs as well.  It was great to go to a gig, dance early and then be able to hang out and drink beer with my rock and roll friends for the rest of the night.  All-Asia's beer selection has gotten a lot fancier, I quite liked the Bare Knuckles Stout on tap.

A lot of you guys might like the band My Mercy, they're from Providence.  They're something like a more EBM version of Lifestyle, but with a strong Shirley Manson type female singer and crunchier guitars.  Talented bunch of people.  Last night the singer was too sick to sing, so they projected a film against the back wall and played instrumental versions of their songs.  That's actually what has really sold me on them--hearing the songs without a singer made the musicianship and composition really stand out.  Anders likes them a lot, so she books them pretty often in Boston.  Check 'em out!

Today I need to repair my black and silver galabeya, do a full costume run through of my zar, do yoga, shower, finish the laundry that I rather foolishly started, prepare some veggie kabobs and try to make it to the two parties we are invited to today.  One of them is way out in Central Mass so I fear we're only going to make that one.  Maybe it will be cooler out there.  Anyway I have all this stuff to do, so naturally i am poking around emusic.com and writing on LJ.  I really like what I could hear of the new Gogol Bordello album but it requires more downloads than I have at the moment.

Heard that tomorrow's Jane Doe benefit received a plug on the local ABC affiliate--very exciting!  But I suppose that means really I must go do my costuming stuff and run-through.
alonewiththemoon: Drumlin Farm Banding Station 2016 (tarnished)
Wow.  So Shimmy in the Shadows happened, nothing went majorly wrong, we made a little money, the performances were beautiful each and every one and everybody seemed to have a great time.  Couple of small snafus but they will be learning experiences for next time (like not figuring out where the floor light switch was until the very end of the night--next time there will be more shadows!).  One dancer never showed, which meant the loss of one solo performer and also one troupe performance, since she never contacted her troupe mate about it either.  Pretty unprofessional and I don't imagine I would book her again.  Poor Nepenthe was visibly very ill and made the right decision not to perform.  But since I had somewhat overbooked things as usual, it all turned out ok and it meant we ended right on time.  I did a much better job of delegating this time around and it took a lot of the pressure off of me.

I think the best part of the event for me was seeing all the diversity that dancers brought to their conceptualization of gothic belly dance.  The music went from old school goth to modern dance club stuff but all of it belonged.  There were too many great performances to mention them all in detail, but Aepril Schaile's performance to Cris d'Avauge by Diamanda Galas literally raised the hair on my arms and neck and moved me to tears.  She is truly a force to be reckoned with.  I liked my piece--it's definitely still a work in progress but I'm feeling every minute of it when I'm dancing to it.  John Finn's Wife is a bad, bad woman and it's much fun to be her for five minutes ;-)  I should point out that my flamenco stylings were purely fictitious and not intended to bear any resemblance to any real flamenco dancing living or dead, and any such resemblance is purely coincidental.  People praised my shimmying in the middle part quite a bit, and I say to that:  people, that's what Raqia Hassan style raqs sharqi training will do for you!  Never forget the traditional basics!  I've also enjoyed learning the big skirt as a prop when I'm using music I like and not being forced into music I don't like.

The other best part of the event was looking around during the breaks between performances and seeing everybody mingling and talking and shopping--I feel very proud that I can help to create the strong and growing sense of community for New England's gothic belly dancers with my events.  Big thanks to everyone who performed and everyone who came to watch the show.  Events like this really bring home what a collaborative experience performance should be, a collaboration between performer and audience.  Call the curtain, raise the roof, spirit's on tonight!

Did some socializing afterwards, and then slept for 12 hours straight.  Now I am on vacation, woo hoo!  I am hoping that we will make it out to Down with Tempo tonight, but M is not on vacation yet and he worked about as hard as I did yesterday and had to get up early today so we'll see. 

you know it was an inspirational event when the next thing you want to do is go out dancing :-)
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
I think the word has been spread pretty well at this point, but in case any interested parties haven't heard yet, Jason is indeed staying at Liquid.  Nothing bad happened to change his plans, it was mostly just him and his boyfriend rethinking the finances and social scenes involved.  So yay!

I am freshly orange again, as you might guess from my mention of Liquid.  One of the other stylists said of my hair that it was one of the best coloring jobs in all of Boston, which made me and Jason beam with joy.  I had a very relaxing Saturday afternoon at the salon, then went home to do more sewing work on a costume bra.  Bras are more complicated than you would think and eventually I decided to preserve my sanity and scrounge another outfit for Shimmy in the Shadows from stuff I already own.  I think the problem that I was having was that the bra cups I was using are just standard everyday cups, not push up, and I couldn't engineer them into push up.  I have a couple of pairs so I may do some experimenting some day with cutting the cups down and hoisting 'em up.  But for now, I'm happy with what I've worked out, kind of goth folkloric fantasy gypsy.  Doesn't sound much like me, I know, but it's what works for the song.

Saw Daywatch on Saturday night and enjoyed it very much.  I'd forgotten from Nightwatch how clever they were with the subtitles, really working them into what was happening on screen.  Anyway, creative movie, I'd give it four stars as a genre film and three stars in the larger world of film as a whole.  Better than the first one, more tightly plotted.  More Gloom would have been good.

Sunday I slept most of the day away, danced, did yoga and got ready for the Middle East.  I was afraid I'd wiped myself out with too much yoga but I think in actuality I set myself up just right.  Muscles did the things I wanted them to.  I had a great time with my set, and although the Middle East was pretty empty, there was a table of enthusiastic Arab guys out for a night on the town, money showers and dancing and clapping, so the place didn't really feel empty.  I was happy with my khaleegi drum solo as a work in progress--it needs more practice but I like where it's going.  The DJ, who is originally from Yemen, was thrilled :-)  Like everybody else that night, I was asked to dance at a party on Block Island in July, but the money would have to be much better to make all that travel worth it.  It was a good wage, but not when you take six hours of travel time into account.  Plus, the guy's method of finding dancers by standing on a street corner outside the Middle East struck me as a little sketchy, even though he seemed like a decent guy and took pains to introduce himself to M.  The moment did impress on me though, if nothing else came of it, that I've really got to get myself some business cards.

Now I am much less glamorously at work after about five hours of sleep last night.  So far I am staying awake with the aid of Arabic pop and caffeine.  Neck is slightly stiff from khaleegi hair tossing but not too bad.  Good prep for August's zar...

ah........

Jun. 9th, 2007 03:24 pm
alonewiththemoon: Drumlin Farm Banding Station 2016 (Default)
I had such a good time dancing last night--it really brought home for me that I so much more enjoy doing my gothic belly dancing for a gothic audience, as opposed to a predominantly belly dance audience.  They just get it, and the only thing you have to worry about is being entertaining, not scene politics or belly dance police or whathaveyou.  Between the audience and Curse's drumming, I just felt like I was riding a wave of energy through my performance.  Thanks to everyone for making that possible, with special thanks to Curse :-)

A moment that was not at all funny at the time but is pretty darn funny in retrospect was when I got on stage, and the music started (early, I might add)--no, it was not Monica Richards' voice that emerged from the speakers, but Sami Aly's voice singing Si Abdo!  Frantic arm waving at dj ensued!  I had brought the right cd with me, but I didn't realize there were two cds in my bag and I gave him one without looking at it, assuming it was the right one.  DJ was a little cranky about it and I felt very stupid and unprofessional, but afterwards I apologized and he apologized so all was good and we agreed sometimes that's just the nature of show business.  Later I could laugh at the thought of my prancing out there to Si Abdo with my meleya and confusing the hell out of everybody.

Today I relax all day.  I'll watch the Belmont (kind of rooting for Hard Spun because he's always the bridesmaid and never the bride, but also rooting for Rags to Riches because I'll always root for a filly and also for Curlin because I would like to see a superhorse in the making.  Hard Spun is in the gate next to another speed horse though and I think that might wreck his chances, we'll see), and then later go out to the Bats in the Belfry show and enjoy some drinks and be entertained by other people doing their artistic thing.

So far, this has been just a perfect weekend...
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
So nice to have another day of relaxation.  Last night's show at the Middle East was a ton of fun, and I had a great time hanging out later.  I really wish I could do it more often.  A bunch of the regulars all said to me how nice it was to see me staying and dancing with everybody, which was touching.  And Najmat telling me and Kinadancer that she was proud of her girls was a high point of not just the night but my week, really.  Pretty much danced til closing and dragged my sweaty self home.  Today I finally slept the long time that I've been needing (I think actually that anxiety over not giving Ronan his morning meds was keeping me from sleeping :-( ), ate breakfast at 3 in the afternoon and did about two hours of yoga, blissfully stretching out all the dancing of the night before.  One hot shower later and I am a happy woman.

When I went out to see the Pirates movie on Saturday, it was actually hard for me to do.  I'm used to spending my Saturday afternoons prepping for whatever shows I've got coming up and doing yoga and I felt guilty for giving that up just to see a movie.  But then I reminded myself that it wasn't just seeing a movie, it was being with friends and engaging with the larger world.  Sunday I went to the other extreme and didn't go to an afternoon cookout because I had a show that night and needed the time for warming up, washing my hair, eating the right things and not a bunch of random stuff, etc.  Either way, there are pluses and minuses.  I still wish I'd had time to practice on Saturday but I do feel good for having gone out.  Balance...

Now to grill stuff and make a drink with rum, ginger, limes and cranberry seltzer.  I am hoping the drink will taste good.  I'll name it the Captain Badriya if it is good and I won't name it anything if it's no good.
alonewiththemoon: Drumlin Farm Banding Station 2016 (shinymaia)
Well, obviously Saturday was a bit of a challenge for me, but I pulled myself together in the morning and went to the Faten Salama workshop and show.  In a way, it was easier to go knowing that Ronan was no longer feeling any pain than it would have been to go with him still in the hospital.Cut for those who don't want their friends page filled up with detailed belly dance stuff )

All in all, it was an inspirational day that will stick with me for a long time.  I don't feel like I lost out at all by not going to Fifi Abdo in Dallas this weekend--well, I do a bit, but I'm sure it was a mob scene and that probably I got better instruction in similar things from an experienced teacher in Faten Salama. 
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
breezes coursing through the house, second cup of tea, lovely random music on the mp3 player (though I swear every third song has been by Azam Ali or Niyaz, I think my mp3 player has a crush on her), and above all nothing really to prepare for in the immediate future.  Shortly I will amble over to the used bookstore to trade in some books and pick up some new ones, then I suppose I will do some yoga and some playful no pressure dancing, and the forecast also holds intermittent laundry throughout the day.  This is my version of doing nothing, but I'm happy with that.

Recital show yesterday went all right; I reserve judgment until I see the video.  I made a couple of mistakes that loom very large in my mind.  One thing I was really pleased with though was my zill playing.  My overall feeling after the show was "well, that was good prep for performing the same song next Saturday" as I'm performing it at the Faten Salama workshop show.  Afterwards M and I went to Mr. Sushi for a delicious meal. They've introduced a bunch of new maki, all with baseball names, as I suspect every sushi place in the greater Boston area has done.  I had one called the Triple Maki, which was salmon, tuna and a white fish whose name escapes me with wasabi tobiko--scrumptious!  Next time I go there, I think I will see if they can make the regular tobiko sushi with the wasabi tobiko, that is one of my favorite things.

We watched the movie Slither when we got home, and it was good stupid fun.  It was well paced and actually well filmed, not a second longer than it needed to be, with amusing snappy dialogue.  Nathan Fillion's part seemed designed for him, or maybe they gave him a lot of input on his lines.  Some of the reviews I read when it came out made a big deal about how gross it was, but I would say if you watch a lot of sci fi and horror, it is really rather tame in that regard.  All the gore is clearly fake and the gross stuff is so over the top it's just silly.  Perfect summer night rental.

ok, book time...
alonewiththemoon: Drumlin Farm Banding Station 2016 (knifestare)
Started the day off yesterday by being a half hour late for the bharata natyam workshop--I had written it down as starting at 2:30, but apparently it started at 2.  I didn't really mind my being late, apart from the rudeness to the instructor; I just wasn't going to let it bother me.  And I was rather pleasantly surprised that apparently I have been exposed to enough bharata natyam through various workshops and talking with [livejournal.com profile] shnells  that I could jump right in and not be lost.  We learned a bunch of mudras and footwork and performed a short devotional to Shiva.  I was relaxed enough to feel devotional about it and all in all the workshop was a good idea.

Then the show, which featured some really nice stuff.  Sabrina's veil piece was so joyful and blissful, in her white costume she was just the spirit of spring personified.  [livejournal.com profile] kinadancer  was also stunning in white with her brilliant A'Kai veil, very elegant and regal.  I loved the Celtic Gypsies--on paper I found the whole concept of belly dance/Irish dance fusion very unconvincing, but they convinced me all right!  There's not a huge step from mizmars to bagpipes when you stop to think about it, and I think the use of Rom movements were what really tied it all together.  Nikki was amazing as always with her sword.  Mary Koperski, who taught the workshop, was also wonderful.  Oh, and I won a $30 gift certificate to Asiana Grill in Arlington, sushi here I come!

The show of course ran late and I flew home to get ready for the Providence show.  I had to eat dinner in the car, but otherwise managed to stay on top of things.  Arrived at the club, got situatated, and then it was time to hurry up and wait for a few hours.  The other dancer, Mai'iah, went on at 11 and performed with two big boa constrictors--they were really impressive snakes.  She confirmed later that they were quite heavy.  They also seemed very sociable, but I have to admit that while I am not at all phobic about snakes in and of themselves, I am a little phobic about contact with reptiles in general because of the salmonella issue.  Look but don't touch is my approach.  Anyway, she did a great job with them and it was nice to make face to face contact with somebody from the New York scene.

Finally, I performed.  There were a couple of minor issues, like the thing that got stuck to the bottom of my left foot (a little rock or something, I am guessing), but I was able to tap into a good emotional place for the music and felt it went well.  When I finished, the applause seemed a little thin and I thought "oh well, people didn't really like it."  After I changed, though, people were coming up to me all night to tell me how much they liked it, so I guess that's just how they are down there.  Also I had just been to a belly dance event and expecting the same kind of crowd response from goths is not exactly fair ;-)  I had a small stage to work with; the club was a sort of horseshoe shape with the stage at the top of the arch so I had to constantly shift my focus from side to side, but I think I did pretty well with that.

I liked the club space.  As seems to be a pattern here on the East Coast, the club is part gay night club, part goth club, depending on the night of the week.  The decor was great, all dripping chandeliers, stonework, comfy couches, wrought iron, etc.  It's the kind of place that would have been a perfect venue for Reverie, back in the day.  The crowd was pretty good too, apart from a rather obnoxious quartet of a guy and three women.  If you go to goth clubs, you know the type--they're being oh so daring by being at the goth club, the girls with their dangling beer bottles on the dance floor as they dance in a tight little cluster, the guy taking off his shirt and humping his ladies.  The guy took quite a fancy to me as I was having some henna done (and thus could not move).  He actually tried to grab me with a full body hug but fortunately that was just as the henna artist had finished so I was able to leap away.  Literally, leap away.  [livejournal.com profile] rojagato  was there ready to clonk him with something but luckily he took a hint and left me alone.  I'm sure she will have something to say about their conversation later ;)

And now, off to dance class with my screaming quads--this will be interesting!  My laybacks, drops and folds are so much better than they used to be, but in performance you always give it that little bit more and my muscles are emphatically informing me that I hadn't quite prepared them for that.    I'm using this routine a couple more times this month, so they'd better get used to it...
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
Last night's Battlestar Galactica )

Had a lot of fun dancing last night.  Great crowd (thanks, those of you who were in that crowd!), music I love, plenty of sleep the night before--I felt unstoppable :-)  Tekitoi worked really well for veil and was a definite crowd-pleaser, something to reuse for sure!  I don't hear people using Rachid Taha that often, I should give more of his stuff a listen and see what I can use.  His newest album is a collection of classic Arabic songs; that could have a lot of potential for me, the songs I love with his nightclub-appropriate energy behind them...

Generally, I had a low key weekend but that was just what was needed.  M and I spent a lot of time together, and I got some very satisfying yoga sessions in.  I thought I had lost some flexibility over the last couple of weeks, but I was pleasantly surprised to find myself able to look at the ceiling most comfortably in cobra pose.  We splurged on fancy cheese and fig preserves and rewatched The Peacekeeper Wars on Saturday.  Yes, the weekend was that exciting!

And now it's Monday.  I'm pretty much alone in the office today so I'll be able to catch up on some work at a relaxed pace.  And probably eat too much chocolate while doing so, but something has to make up for the sleep deprivation and keep me awake!
alonewiththemoon: Drumlin Farm Banding Station 2016 (shinymaia)
Nice low key performance today--I was relaxed, despite not feeling quite ready, and people liked the holiday music (I was worried about that, since from the list of performers sent out a few days before it looked like I was the only one doing any holiday music, and I was afraid of being that kid who shows up to school wearing a halloween costume when everybody else had decided costumes weren't cool).  The absolute best thing was when an obviously shy six or seven year old girl came up to me after my performance and said, "Can I say something to you?"  "Sure," I said.  "You were very good," she said solemnly with eyes wide, and ran away.  Aw!  I so don't care what any of the big names in the room might have thought of my dancing!  I also had a teenage girl quiz me avidly about gothic belly dance, she wants to dance to Godsmack.  I seem to be starting a little junior fan club :-)

Managed to get to Lush in Harvard Square before they closed on my way home, and settled into a five million degree bath with a christmas carol bath bomb.  It's full of iridescent pinkish glitter, it's like taking a bath in a snow globe.  Everything is glittery now, which is wonderful at the moment but will probably be annoying in the morning.  And M may not entirely appreciate the fact that I seem to have covered the computer chair in glitter, oh well.  I am so profoundly relaxed right now, it's all lovely... I think I melted the last of the illness out of me. Here's to recovery!

One not lovely thing is that a costume was stolen from [livejournal.com profile] phoenixavathar  off of her merchandise table.  It's a purple tribal bra and belt with some kuchi pieces and long fringe.  It just so profoundly sucks that somebody would do something like that within the community :-(  The general public didn't have access to the area we were in, so it had to be somebody attending the show.  WTF is wrong with people?  I had felt comfortable leaving my gear bag up on a balcony where no-one but performers would go, but now I wonder if I should ever leave a costume out of my sight.
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
Had a great show at the Middle East last night--felt good about it before, during and after.  I think I am getting the hang of this mental preparation thing, and feeling confident enough about technique (not that there isn't always room for improvement) that I can let the focus be on personality, performance and pizzazz, as a certain local promoter would say.  Great crowd, too, many dancers and it was an unexpected treat to see [livejournal.com profile] adarklake  and his lovely lady friend in the audience.

I am really paying for it today, though.  It's relapse time!  I think I had an asthma attack during the night as well; I was too disoriented when it woke me up to think that maybe ventolin would be the right treatment for a closing airway and rising panic, but I walked/staggered/lurched it off until I was sort of breathing again and went back to sleep.  I'm going to dance class tonight because I already paid for it, but I may sit most of it out and just think of it as a lecture and listening class.  I think I was supposed to bring my cane today, but I didn't.  Not sure I could swing it if I had it anyway.

Well, in more positive news I am loving the Monica Richards album more and more with every listen.  Although in some ways it could be a Faith and the Muse album, what with William Faith producing the album and playing on several songs, I can see why it is Monica's solo album because it's really a collection of personal songs about herself, in a way that F&tM songs are not.  It's a very feminist/Gaiaist/spiritualist piece of work from a woman who has lived through a lot and doesn't live passively in the world.  Although musically I think my favorite song is Fell to Regret (featuring [livejournal.com profile] kambriel  on violin and Curse on drums :), lyrically I so empathize with Into My Own:

"I am not young
I am not old
I am come into my own"

Such simple words, but in the way she sings them and the way I hear them, so much is conveyed.  Why do we spend our prime longing for our lost youth?  Can we not recognize being a full adult for being the powerful thing that it is?  Special mention also goes to the song Sedna, about a deity for whom I've long had an affinity of my own; Monica duets with Jarboe while a cello brings to mind the stately expanses of the Arctic, all life coming from this woman beneath the sea.  Just gorgeous...  I downloaded the album through eMusic where it seems to be an advance release, but I think I may pick up the actual cd when it comes out, as it has a lovely booklet with artwork and so forth.
alonewiththemoon: Drumlin Farm Banding Station 2016 (shinymaia)
Amir Thaleb is so incredibly inspiring--I can't even say how much I enjoyed today's workshop, though I could barely isolate a muscle by the end of the day and I have no idea how I am going to be able to perform my set at the Middle East tomorrow night after a second day of this.  I am sure I will write more about it all later, but I have to take the time now to say--WOW!

Also inspiring were my classmates--it was quite a surprise to walk in there and see Amar Gamal there as a student.  She and Amir go way back, apparently.  Even working on learning things in a class, her dancing was beautiful to watch.  It was kind of good for me to see that even Superstars have to work on learning things and always have more to learn.  The entire class was a dedicated bunch of dancers, no matter what the experience level.  This is really a great workshop experience.

And now, the bath awaits...
alonewiththemoon: Drumlin Farm Banding Station 2016 (Default)
Saturday:  Dance Complex sux.  Sekhmet triumphant nevertheless, dancing in [livejournal.com profile] spitcurl 's kitchen by halves.  Seven Sunless Days rocks, one of their best performances ever.  They didn't win the night, but didn't expect to, and I could see more hands up than tickets sold, so hopefully they gained some new fans.  Apparently the night degenerated into honest to goodnes brawls amongst fans of stupid aggro pseudo-punk meathead bands, and the rest of Emergenza may be cancelled as a result, so really not winning may not have mattered anyway.  I learned later from M that those same audience meatheads who were chanting stuff during SSD's set (the names of the bands they supported, "they suck" generically directed at all other bands, I suspect a spinoff of the classic Boston cry of "yankees suck") also yelled racist slurs against the Indian fusion jam band with several Indian members, so if their behavior was responsible for the band they support losing its chance of winning, then that's karma for you.

Sunday:  you Sekhmet women, you were all beautiful.  Little things happen on stage, they always do, but what matters more is dancing through those things and maintaining/recovering your poise and keeping the dancing going, and as far as i could see everybody did that.  The things that some of you have noted weren't at all obvious, at least not from my side of the stage.  You are much tougher critic of yourself than anybody watching is, and the things you think were glaring faults probably were not noticed much if at all by anyone else.  I can definitely tell you all that I was impressed with how well we stayed in our formations, regardless of what was going on with your veils, feet, fringe, nerves, whathaveyou.  M also thought we did a very good job, very smooth, and the poor man gets to go to a great many performances so he is an educated viewer.  I can't wait to see the video--[livejournal.com profile] nepenthe01 , I have the tools to make your video webfriendly, if that would be the easiest way to distribute it to everyone.

And to you LJfriends who were performing as well--I loved all of your performances, those that I could see.  I really hope that all of you would consider putting something together for the gothic hafli in October.

It was distinctly odd to be pulled up by Za-Beth to be part of the troupe directors Q&A when first of all nobody had seen our troupe dance yet, and thus would not have questions, and secondly when I'm not exactly director, nor am I a teacher per se.  That's what I get for being friendly with the big promoter lady.  But hey, I did win a white trucker hat that says "DIVA--with an attitude" hat later in the evening.

Seeing Sarab dancing to a song that I used to do (that in fact I recorded the choreography for)--at first I was just happy hearing the music and seeing the movements, then I started getting misty-eyed remembering how that used to be me, and missing the old days, then realized how few of the new faces were familiar to me, and thinking of a conversation with another old member who may be looking to move on--and I came full circle to just being happy watching them again.  There's no question that I do miss it, and I miss learning from Seyyide's troupe direction.  But on the other hand, I need to be in a position where I'm in charge of myself now, and challenged by what I'm doing.  One-off things like Najmat's class choreo or the occasional Jewels of Jamal* thing are fine, but if I were to seriously do an Egyptian-style troupe again, I'd want it to be a meeting of equals, both input-wise and experience-wise.

*wrt Jewels of Jamal, that's all the moreso fine because Amira Jamal values our solo contributions to shows just as much as our group choreos.  Only once in my 4-5 years of dancing with her did Seyyide ever have a show with student solos (that one at the Zeitgeist Gallery).  I should probably tell Seyyide my feelings about this at some point, because it will probably continue to lose her students as they reach the point I reached.

Speaking of Najmat's class choreo, another fun spot of the night was at the very end when the floor was opened up for general dancing, Giselle and I managed to remember the entire Habibi ya Aini choreo and dance it.  M said it was a very random MTV kind of moment, where all of a sudden people start dancing in unison.  It was fun though, and we were psyched that we remembered it all.

That was supposed to be quick.  Ah well.  The day stirred up a lot of things for me, lots to think about.
alonewiththemoon: Drumlin Farm Banding Station 2016 (fruityoatytrio)
Barbaro is doing as well as could be hoped for at the moment; hopefully that will continue.  He has a tremendous amount of metal holding his leg together now, but one danger with that is that all those pins provide multiple potential infection sites.  He ate like, well, a horse after the surgery, which is a good sign about his attitude at least.  All this must be extremely confusing for him, even apart from any pain. 

I was feeling sad enough about Barbaro that I wasn't at all sure how dancing was going to go on Sunday night, but after a wishy-washy start it went well.  I had a blast with the 7/8 drum solo.  I was a little worried the song itself might have been too repetitive, but dancing it for real I could feel and hence interpret the build up.  It's a really interesting rhythm to work with, because it sounds almost like an ayoub but not quite, and you have to think on your feet in order to switch sides, what with the odd number of beats.  Anyway I think people actually liked hearing something a little different from the usual drum solo.  I'll definitely keep it in my repertoire.

Apart from the Preakness, it was a good weekend.  Saturday I took a bunch of paperbacks to the used bookstore, and brought home a bunch of other paperbacks.  Hooray for seemingly infinite store credit!  After the race, M and I had sushi for dinner, and I continued on to a party while he crashed after a long day of recording.  It felt good to go out and see people, and jetsetting around from party to club to party felt very rockstar.

Conversation overheard in the crowded women's room at Toast (said club):

"Oh my god, somebody in here smells so good"
Woman leaping out of the stall she had just entered:  "oh my god, is it me?  I bet it's me!"
First woman:  "Oh my god, it is you!  What is that fragrance?"
Second woman:  "oh my god, it's Paris Hilton"--chorus of exclaimations from all women except me, doing my best to keep a straight face--"I was at the perfume counter and the woman told me to try it and I was like I am so not Paris Hilton but then I tried it and I was like, oh my god I *am* Paris Hilton!  I *am* Paris Hilton!"

I sang my head off at the party, to various karaoke songs and Buffy the Musical.  Felt good, though my throat was less than thrilled with me the next day.  Which I spent doing some intensive spring cleaning--I found a massive kibble stash in the nightstand and that prompted the cleaning frenzy.  Silly weasels.  They "helped" with the sweeping and vacuuming.  Cleaning is much more fun with ferrets involved.  Then yoga (and again, noted positive changes in my body as chiro treatment continues), and dancing, which brings me more or less back to the beginning of this post.  I guess checking on Barbaro was probably the last thing I did before going to sleep at a far too late hour of the evening.
alonewiththemoon: Drumlin Farm Banding Station 2016 (shinymaia)
caffeine and sugar, I love you
caffeine and sugar, yes I do

With four hours of sleep last night, that's all that's keeping me going right now.  But it was worth it, for a very fun and unpredicatable show at the Athenian Corner.   My drum solo was good; once the drummer saw that I could keep a beat, he kicked it up a little to challenge me, which I enjoyed.  My dancing would have been smoother with a simpler solo, but I'd rather learn from him.  He threw in a big fat booming ayoub so I got to do some hair-tossing and swirly-head turning--I really noticed the effects of my chiropractor's visit earlier in the day, my neck felt like it was made of perfect ball bearings and it felt so damn good, I could have kept right on going into trance if it had been the right time and place.  Oh, and I tried out an eyebrow accent that I totally stole from Ansuya and got great response with it, that's a keeper.

Then came my finale, which I was expecting to be a reprise of some of the earlier songs in the routine, Istem Babajim (the spelling of which I am massacring, but if you're a dancer you know what song I mean) and something else--and instead, as I fumbled to put my zills on, I realized I was hearing a 9/8.  And as the song really kicked in, I realized I was hearing Rompi Rompi.  Regular readers may recall that I have spoken of my difficulty with non-Arabic 9/8s and my particular dislike for Rompi Rompi.  So there I am on stage stuck improvising to it, and to make matters even worse I was wearing a trumpet skirt.  For non-dancers, this would be a bit like being at a conference in your profession or academic discipline and being asked to give a talk about a similar but not all that familiar profession or discipline that you don't know that much about, and the only textbook you have to brush up with is in a language you don't really know, and also you forgot your good suit.  And you know there's experts in that field in your audience, and an intimidating panel (the band) sitting up on stage with you.  I was so flustered I put my zills on the wrong fingers (figured that one out when they didn't play quite right, and fixed them).  It was all the stranger because they had already played Rompi Rompi earlier in the evening for another dancer, and they should have known by looking at my costuming that I was not prepared for karshilama.  But I hopped and spun and zilled my way through to the end, then ran up to the dressing room and collapsed in a fit of the giggles.  I had faced pretty much my worst nightmare, and come through it with dignity more or less intact, except for the zill thing but that was minor.  All my classmates who did the group karsh number last year knew exactly how I feel about karsh and laughed along with me, even Amira Jamal was laughing.  I think I am past any hangups I may have had with this.

Then we did Soleil d'Egypte, 9 of us dancing in very tight quarters but it somehow worked.  I doubt they had ever had so many dancers performing at the same time there.  It was fun though, we all seemed relaxed and happy.  I know I was; what's a little pop choreography after the dreaded karsh?

I thought I did not like the big Cas Iberia scimitars for cabaret work, but after seeing Nikki dancing with hers last night, I believe I have changed my mind.  Doesn't sound any heavier than the one I've got, even though it looks much larger.  $175 is not a good price, you can get them for less.  Another item for the want list...

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alonewiththemoon: Drumlin Farm Banding Station 2016 (Default)
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